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Words in Air

The Complete Correspondence Between Elizabeth Bishop and Robert Lowell

By Elizabeth Bishop (Author), Robert Lowell (Author), Thomas Travisano (Editor), Saskia Hamilton (Editor)

Paperback published by Farrar, Straus and Giroux (Farrar, Straus and Giroux)

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About This Book
Robert Lowell once remarked in a letter to Elizabeth Bishop that “you ha[ve] always been my favorite poet and favorite friend.” The feeling was mutual. Bishop said that conversation with Lowell left her feeling “picked up again to the proper table-land of poetry,” and she once begged him, “Please never stop writing me letters—they always manage to make me feel like my higher self (I’ve been re-reading Emerson) for several days.” Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell’s death in 1977. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America’s most beloved and influential poets.
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Robert Lowell once remarked in a letter to Elizabeth Bishop that “you ha[ve] always been my favorite poet and favorite friend.” The feeling was mutual. Bishop said that conversation with Lowell left her feeling “picked up again to the proper table-land of poetry,” and she once begged him, “Please never stop writing me letters—they always manage to make me feel like my higher self (I’ve been re-reading Emerson) for several days.” Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell’s death in 1977. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America’s most beloved and influential poets.
Product Details
Paperback (928 pages)
Published: March 16, 2010
Publisher: Farrar, Straus and Giroux
Imprint: Farrar, Straus and Giroux
ISBN: 9780374531898
Other books byElizabeth Bishop
  • Geography III

    Geography III
    Poems
    Whether writing about waiting as a child in a dentist's office, viewing a city from a plane high above, or losing items ranging from door keys to one's lover in the masterfully restrained "One Art," Elizabeth Bishop somehow conveyed both large and small emotional truths in language of stunning exactitude and even more astonishing resonance. As John Ashbery has written, "The private self . . . melts imperceptibly into the large utterance, the grandeur of poetry, which, because it remains rooted in everyday particulars, never sounds 'grand,' but is as quietly convincing as everyday speech."

    The Collected Prose

    The Collected Prose
    Presented in two sections, "Memory: Persons and Places" and "Stories," this book offers the collected prose writings of Elizabeth Bishop (1911-79), one of America's most celebrated and admired poets. The selections are arranged not by date of compostion, but in biographical order, such that reading this volume greatly enriches one's understanding of Bishop's life--and thus her poetry as well. "Bishop's admirers will want to consult her Collected Prose for the light it sheds on her poetry," as David Lehman wrote in Newsweek. "They will discover, however, that it is more than just a handsome companion volume to [her] Complete Poems. . . . Bishop's clean, limpid prose makes her stories and memoirs a delight to read. . . . One regrets only that this volume cannot be added to in years to come."

    Poems

    Poems
    A Boston Globe Best Poetry Book of 2011 This is the definitive edition of the work of one of America’s greatest poets, increasingly recognized as one of the greatest English-language poets of the twentieth century, loved by readers and poets alike. Bishop’s poems combine humor and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape—from New England, where she grew up, to Brazil and Florida, where she later lived—human connection with the natural world, questions of knowledge and perception, and the ability or inability of form to control chaos. This new edition offers readers the opportunity to take in, entire, one of the great careers in twentiethcentury poetry.

    Elizabeth Bishop and The New Yorker

    Elizabeth Bishop and The New Yorker
    The Complete Correspondence
    I sort of see you surrounded with fine-tooth combs, sandpaper, nail files, pots of varnish, etc.—with heaps of used commas and semicolons handy, and little useless phrases taken out of their contexts and dying all over the floor,” Elizabeth Bishop said upon learning a friend landed a job at The New Yorker in the early 1950s. From 1933 until her death in 1979, Bishop published the vast majority of her poems in the magazine’s pages. During those forty years, hundreds of letters passed between Bishop and her editors, Charles Pearce, Katharine White, and Howard Moss. In these letters Bishop discussed the ideas and inspiration for her poems and shared news about her travels, while her editors offered support, commentary, and friendship. Their correspondence provides an unparalleled look into Bishop’s writing process, the relationship between a poet and her editors, the internal workings of The New Yorker, and the process of publishing a poem, giving us a rare glimpse into the artistic development of one of the twentieth century’s greatest poets.

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  • August 25, 2008
    via Publishers Weekly

    Bishop and Lowell were two of the major poets of postwar America. From the time they met in 1947 at a party thrown by their mutual friend and poet, Randall Jarrell, through the end of Lowell's life in 1977, the pair--who saw each other rarely but considered themselves intimate friends--maintained a steady correspondence about literature and their turbulent lives and their own complicated, at times flirtatious friendship. Lowell was manic-depressive and embroiled in two volatile marriages, while Bishop also suffered depression and more than her share of loss, including the suicide of her longtime lover. Many of their now famous letters, previously available in separate volumes, appear here in one volume, their exchanges preserved in the order they were sent and received. Throughout this momentous volume, transcendence comes to these two often troubled writers through the shared experience of art that brought them together and sustained them: "If only one could see everything that way all the time!," writes Bishop in 1957, "that rare feeling of control, illumination--life is all right, for the time being." 13 b&w photos. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved

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    Bishop and Lowell were two of the major poets of postwar America. From the time they met in 1947 at a party thrown by their mutual friend and poet, Randall Jarrell, through the end of Lowell's life in 1977, the pair--who saw each other rarely but considered themselves intimate friends--maintained a steady correspondence about literature and their turbulent lives and their own complicated, at times flirtatious friendship. Lowell was manic-depressive and embroiled in two volatile marriages, while Bishop also suffered depression and more than her share of loss, including the suicide of her longtime lover. Many of their now famous letters, previously available in separate volumes, appear here in one volume, their exchanges preserved in the order they were sent and received. Throughout this momentous volume, transcendence comes to these two often troubled writers through the shared experience of art that brought them together and sustained them: "If only one could see everything that way all the time!," writes Bishop in 1957, "that rare feeling of control, illumination--life is all right, for the time being." 13 b&w photos. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved


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