Other books bySilas House
Eli the Good
In his timely YA debut, a best-selling novelist revisits a summer of tumult and truth for a young narrator and his war-torn family. Bicentennial fireworks burn the sky. Bob Seger growls from a transistor radio. And down by the river, girls line up on lawn chairs in pursuit of the perfect tan. Yet for ten-year-old Eli Book, the summer of 1976 is the one that threatened to tear his family apart. There is his distant mother; his traumatized Vietnam vet dad; his wild sister; his former warprotester aunt; and his tough yet troubled best friend, Edie, the only person with whom he can be himself. As tempers flare and his father’s nightmares rage, Eli watches from the sidelines, but soon even he cannot escape the current of conflict. From Silas House comes a tender look at the complexities of childhood and the realities of war — a quintessentially Southern novel filled with music, nostalgic detail, a deep respect for nature, and a powerful sense of place. From the Hardcover edition.
Same Sun Here
In this extraordinary novel in letters, an Indian immigrant girl in New York City and a Kentucky coal miner's son find strength and perspective by sharing their true selves across the miles. Meena and River have a lot in common: fathers forced to work away from home to make ends meet, grandmothers who mean the world to them, and faithful dogs. But Meena is an Indian immigrant girl living in New York City’s Chinatown, while River is a Kentucky coal miner’s son. As Meena’s family studies for citizenship exams and River’s town faces devastating mountaintop removal, this unlikely pair become pen pals, sharing thoughts and, as their camaraderie deepens, discovering common ground in their disparate experiences. With honesty and humor, Meena and River bridge the miles between them, creating a friendship that inspires bravery and defeats cultural misconceptions. Narrated in two voices, each voice distinctly articulated by a separate gifted author, this chronicle of two lives powerfully conveys the great value of being and having a friend and the joys of opening our lives to others who live beneath the same sun.
A Parchment of Leaves
It is the early 1900s in rural Kentucky, and young Saul Sullivan is heading up to Redbud Camp to look for work. He is wary but unafraid of the Cherokee girl there whose beauty is said to cause the death of all men who see her. But the minute Saul lays eyes on Vine, he knows she is meant to be his wife. Vine’s mother disapproves of the mixed marriage; Saul’s mother, Esme, has always been ill at ease around the Cherokee people. But once Vine walks into God’s Creek, Saul’s mother and brother Aaron take to her immediately. It quickly becomes clear to Vine, though, that Aaron is obsessed with her. And when Saul leaves God’s Creek for a year to work in another county, the wife he leaves behind will never be the same again. The violence that lies ahead for Vine, will not only test her spirit, but also her ability to forgive—both others and herself. . . .
“A YOUNG WRITER OF IMMENSE GIFTS . . . One of the best books I have ever read about contemporary life in the mountains of southern Appalachia. . . . I could see and feel Free Creek, and the mountain above it.” –LEE SMITH After his mother is killed, four-year-old Clay Sizemore finds himself alone in a small Appalachian mining town. At first, unsure of Free Creek, he slowly learns to lean on its residents as family. There’s Aunt Easter, who is always filled with a sense of foreboding, bound to her faith above all; quiltmaking Uncle Paul; untamable Evangeline; and Alma, the fiddler whose song wends it way into Clay’s heart. Together, they help Clay fashion a quilt of a life from what treasured pieces surround him. . . . “A long love poem to the hills of Kentucky. It flows with Appalachian music, religion, and that certain knowledge that your people will always hold you close. . . . Like the finely stitched quilts that Clay’s Uncle Paul labors over, the author sews a flawless seam of folks who love their home and each other.” –Southern Living “Unpretentious and clear-eyed . . . A tale whose joys are as legitimate as its sorrows.” –The Roanoke Times