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The Book of Martyrdom and Artifice

First Journals and Poems: 1937-1952

By , (Author), Bill Morgan (Author)

Paperback published by Da Capo Press (Da Capo Press)

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About This Book
Allen Ginsberg (1926-1997) kept a journal his entire life, beginning at the age of eleven. In these first journals the most important and formative years of the poet’s storied life are captured, his inner thoughts detailed in what the San Francisco Chronicle calls a “vivid first-person account...Ginsberg’s unmistakable voice coming into its own for the first time.” Ginsberg’s journals-so candid he insisted they be published only after his death-document his complex, fascinating relationships with such figures of Beat lore as Jack Kerouac and William S. Burroughs, and reveal a growing self-awareness about himself, his sexuality, and his identity as a poet. Illustrated with never-before-seen photos and bolstered by an appendix of his earliest poems, The Book of Martyrdom and Artifice is a major literary event.
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Allen Ginsberg (1926-1997) kept a journal his entire life, beginning at the age of eleven. In these first journals the most important and formative years of the poet’s storied life are captured, his inner thoughts detailed in what the San Francisco Chronicle calls a “vivid first-person account...Ginsberg’s unmistakable voice coming into its own for the first time.” Ginsberg’s journals-so candid he insisted they be published only after his death-document his complex, fascinating relationships with such figures of Beat lore as Jack Kerouac and William S. Burroughs, and reveal a growing self-awareness about himself, his sexuality, and his identity as a poet. Illustrated with never-before-seen photos and bolstered by an appendix of his earliest poems, The Book of Martyrdom and Artifice is a major literary event.
Product Details
Paperback (544 pages)
Published: February 5, 2008
Publisher: Da Capo Press
Imprint: Da Capo Press
ISBN: 9780306815621
Other books byAllen Ginsberg
(48)
  • Collected Poems 1947-1997

    Collected Poems 1947-1997
    Here, for the first time, is a volume that gathers the published verse of Allen Ginsberg in its entirety, a half century of brilliant work from one of America's great poets. The chief figure among the Beats, Ginsberg changed the course of American poetry, liberating it from closed academic forms with the creation of open, vocal, spontaneous, and energetic postmodern verse in the tradition of Walt Whitman, Guillaume Apollinaire, Hart Crane, Ezra Pound, and William Carlos Williams. Ginsberg's classics Howl, Reality Sandwiches, Kaddish, Planet News, and The Fall of America led American (and international) poetry toward uncensored vernacular, explicit candor, the ecstatic, the rhapsodic, and the sincere—all leavened by an attractive and pervasive streak of common sense. Ginsberg's raw tones and attitudes of spiritual liberation also helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry and popular song and speech, but also our view of the world. The uninterrupted energy of Ginsberg's remarkable career is clearly revealed in this collection. Seen in order of composition, the poems reflect on one another; they are not only works but also a work. Included here are all the poems from the earlier volume Collected Poems 1947-1980, and from Ginsberg's subsequent and final three books of new poetry: White Shroud, Cosmopolitan Greetings, and Death & Fame. Enriching this book are illustrations by Ginsberg's artist friends; unusual and illuminating notes to the poems, inimitably prepared by the poet himself; extensive indexes; as well as prefaces and various other materials that accompanied the original publications.
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    First Thought Best Thought

    First Thought Best Thought
    "First thought, best thought." This was the phrase that poet Allen Ginsberg used to describe spontaneous and fearless writing, a way of telling the truth that arises from naked and authentic experience. For more than 30 years, groundbreaking teachers at Naropa University such as Ginsberg and his colleagues Anne Waldman, William S. Burroughs, and Diane di Prima have inspired emerging poets and prose writers to express themselves with unfettered honesty and immediacy. Now, with First Thought, Best Thought, the first landmark release from Naropa University's treasured audio archives, you are invited to meet and learn with these literary mentors face-to-face as they share the secrets of their craft. Selected and edited by poet and Naropa alumnus Randy Roark from thousands of hours of performance and teaching sessions, First Thought, Best Thought brings you four rare gems of inspiration and practical wisdom, including: William S. Burroughs teaching his breakthrough methods for generating fresh writing—including the cut-up method, chance operations, and dreamworkDiane di Prima on how to survive as an artist—preserving your sensibility, creating a supportive artistic community, getting published, self-publishing, and much moreAllen Ginsberg exploring every stage of poetic activity—from inspiration, to composition, to revision, to performing your poetry in publicAnne Waldman on the elements of the poet's craft—from the raw material of the words themselves to the many aspects of the poem in performance
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    Jack Kerouac and Allen Ginsberg

    Jack Kerouac and Allen Ginsberg
    The Letters
    "[An] essential Beat masterpiece." --The Village Voice. Perhaps one of the last great dual correspondences of the twentieth century, Jack Kerouac and Allen Ginsberg: The Letters reveals not only the process of creation of the two most celebrated members of the Beat Generation, but also the unfolding of a remarkable friendship of immense pathos and spiritual depth. Through this exhilarating exchange of letters, two-thirds of which have never been published before, Kerouac and Ginsberg emerge first and foremost as writers of artistic passion, innovation, and genius. Vivid and enthralling, the letters, which date from their first meeting in 1944 to Kerouac's untimely death in 1969, chronicle the endless struggle, anguish, and sacrifice involved in giving form to their literary visions.
    Visit Book Page

    Collected Poems 1947-1980

    Collected Poems 1947-1980
    Visit Book Page

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  • April 12, 2010
    LibraryThing User

    I am basically in a state of bliss when reading this. Damn near voyeuristic, I almost blush from holding such intimate thought of another human in my hands. Probably doesn't even need to be said, but unless you are familiar with and have a strong interest in the life and work of Allen Ginsberg, don't read this, you won't care. I give it 8 million stars.

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    I am basically in a state of bliss when reading this. Damn near voyeuristic, I almost blush from holding such intimate thought of another human in my hands. Probably doesn't even need to be said, but unless you are familiar with and have a strong interest in the life and work of Allen Ginsberg, don't read this, you won't care. I give it 8 million stars.


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  • September 04, 2006
    via Publishers Weekly

    The troubled and excitable mind of the young Beat poet is given free rein in this exhaustive and often illuminating collection of his early private writing. The text serves as an evolving portrait of both a writer and a man: from the first, self-conscious high school entries to the stylistically mature entries of the early '50s, the degree of insight and the fluidity of prose multiplies exponentially. Throughout, Ginsberg lives up to his reputation as the most intellectually rigorous as well as the most neurotic of the Columbia gang that included Jack Kerouac and William Burroughs. Luckily, his neuroses mostly of a sexual/ romantic nature are often expressed with lucidity and intensity. Ginsberg's obsessive relationship with the charismatic Neal Cassady is discussed at particular length, often in a narrative, slightly fictionalized form that provides a fascinating, and significantly more interior, counterpoint to Kerouac's On the Road. An appendix of early poems provides significant insight into Ginsberg's developing aesthetic. As a whole, the poems are entertaining in their own right, but, like most of the journals, they can best be appreciated in reference to Ginsberg's body of later writing. 16 b&w photos. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved

    Show less

    The troubled and excitable mind of the young Beat poet is given free rein in this exhaustive and often illuminating collection of his early private writing. The text serves as an evolving portrait of both a writer and a man: from the first, self-conscious high school entries to the stylistically mature entries of the early '50s, the degree of insight and the fluidity of prose multiplies exponentially. Throughout, Ginsberg lives up to his reputation as the most intellectually rigorous as well as the most neurotic of the Columbia gang that included Jack Kerouac and William Burroughs. Luckily, his neuroses mostly of a sexual/ romantic nature are often expressed with lucidity and intensity. Ginsberg's obsessive relationship with the charismatic Neal Cassady is discussed at particular length, often in a narrative, slightly fictionalized form that provides a fascinating, and significantly more interior, counterpoint to Kerouac's On the Road. An appendix of early poems provides significant insight into Ginsberg's developing aesthetic. As a whole, the poems are entertaining in their own right, but, like most of the journals, they can best be appreciated in reference to Ginsberg's body of later writing. 16 b&w photos. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved


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Paperback

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