Ginsberg apparently approached each interviewer "as a future Buddha"; open to any opportunity for conversation, he answered every question, no matter how rude or peculiar. An unpublished 1983 interview here with Steve Foehr consists of one query about the relationship between art and commerce and Ginsberg's seven-page answer ("I simply hung on and tried to get it all written down," says Foehr); others fill only half of a page. The Beat master reiterates that all of his thoughts and expressions emerge from his 1948 auditory hallucination of the voice of William Blake, whose poetic rhythms, childlike innocence, social vision and volatile emotionalism infused Ginsberg's every utterance thereafter. Taken together, these interviews read like an immense jazz oratorio, with rising and falling riffs on prosody, politics, sex, hallucinogens, ecology, jazz, psychoanalysis, Buddhism and his favorite authors Blake, of course, and also Whitman, Pound, Marianne Moore, William Carlos Williams and Kerouac. Editor Carter, who worked with Ginsberg on one of the first gay cable television shows, provides helpful headnotes for all 30 interviews (culled from some 350), and a "Biographical List" identifies approximately 200 people mentioned in the text. If the 1972 Gay Sunshine interview is the most intimate of these pieces and the excerpt from Ginsberg's testimony in the 1969 Chicago Seven trial the funniest, the strangest entry is surely the 1988 Chronicles interview by John Lofton, who wanted "to confront [Ginsberg] with the Truth of God's Word." As Lofton tries to compel the self-described "excitable visionary Jewish Buddhist" to admit the error of his ways, Ginsberg demonstrates his essential sweet nature and his love of verbal Ping-Pong. Carter captures the best of his witty, generous chatter here. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
Show lessGinsberg apparently approached each interviewer "as a future Buddha"; open to any opportunity for conversation, he answered every question, no matter how rude or peculiar. An unpublished 1983 interview here with Steve Foehr consists of one query about the relationship between art and commerce and Ginsberg's seven-page answer ("I simply hung on and tried to get it all written down," says Foehr); others fill only half of a page. The Beat master reiterates that all of his thoughts and expressions emerge from his 1948 auditory hallucination of the voice of William Blake, whose poetic rhythms, childlike innocence, social vision and volatile emotionalism infused Ginsberg's every utterance thereafter. Taken together, these interviews read like an immense jazz oratorio, with rising and falling riffs on prosody, politics, sex, hallucinogens, ecology, jazz, psychoanalysis, Buddhism and his favorite authors Blake, of course, and also Whitman, Pound, Marianne Moore, William Carlos Williams and Kerouac. Editor Carter, who worked with Ginsberg on one of the first gay cable television shows, provides helpful headnotes for all 30 interviews (culled from some 350), and a "Biographical List" identifies approximately 200 people mentioned in the text. If the 1972 Gay Sunshine interview is the most intimate of these pieces and the excerpt from Ginsberg's testimony in the 1969 Chicago Seven trial the funniest, the strangest entry is surely the 1988 Chronicles interview by John Lofton, who wanted "to confront [Ginsberg] with the Truth of God's Word." As Lofton tries to compel the self-described "excitable visionary Jewish Buddhist" to admit the error of his ways, Ginsberg demonstrates his essential sweet nature and his love of verbal Ping-Pong. Carter captures the best of his witty, generous chatter here. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
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as much as Allen's poetry portrayed the underbelly of both the beat and then the hippie movements, i always found his conversational interviews and ramblings to be the diamonds of the man, the place where his shine touched everything. This is a wonderful collection of Allen's views on things that meant everything at the time, even as some of thise things have faded into the past. A must read for anyone interested in the politics and the poetry of the beats, the hippies, the eco-alternatives, the yippies, the gay liberationists, and on and on and on. enjoy.
Show lessas much as Allen's poetry portrayed the underbelly of both the beat and then the hippie movements, i always found his conversational interviews and ramblings to be the diamonds of the man, the place where his shine touched everything. This is a wonderful collection of Allen's views on things that meant everything at the time, even as some of thise things have faded into the past. A must read for anyone interested in the politics and the poetry of the beats, the hippies, the eco-alternatives, the yippies, the gay liberationists, and on and on and on. enjoy.
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