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No Longer Human, part 1

By , (Adaptor)

Paperback published by Vertical (Vertical Inc.)

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About This Book
In honor of the 100th birthday of Osamu Dazai, Usamaru Furuya retells Dazai's most important work No Longer Human in modern day Tokyo where modern vices can bring ruin to the self-loathing.

Furuya's adaptation of No Longer Human takes place nearly seventy years after Dazai's original. Set in modern day Tokyo, Dazai's tale details the life of a young man originally from a well-off family from Japan's far north. Yozo Oba is a troubled soul incapable of revealing his true self to others. A weak constitution and the lingering trauma from some abuse administered by a relative forces him to uphold a facade of hollow jocularity since high school. The series is composed of three parts, referred to in the novel as "memorandums," which chronicle the life of Oba from his teens to late twenties. The comic is narrated by the artist, Furuya himself, making appearances at the start of each volume. In many ways, it could be said that Furuya has traveled a path that may be similar to Dazai's. Maybe that is what led these two together after 100 years.

In this first of three parts, alternative comic artist Usamaru Furuya appears to be overcome with deadlines. While he has been published by some of the biggest names in the comics industry, his star still shines brightest as a cult favorite, an underground artist whose emo comics are the voice of a new generation. To escape the duldrums of work, he loses himself in the internet and comes across the journal of a man whose life sounds very familiar--Oba Yozo. In Oba's First Memorandum the teen is overcome by an intense feeling of alienation. This pressure is so strong he cannot cope with others making it impossible to socialize with those who surround him, even his own family. To counter this Oba plays the role of the fool in order to establish interpersonal
relationships.
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In honor of the 100th birthday of Osamu Dazai, Usamaru Furuya retells Dazai's most important work No Longer Human in modern day Tokyo where modern vices can bring ruin to the self-loathing.

Furuya's adaptation of No Longer Human takes place nearly seventy years after Dazai's original. Set in modern day Tokyo, Dazai's tale details the life of a young man originally from a well-off family from Japan's far north. Yozo Oba is a troubled soul incapable of revealing his true self to others. A weak constitution and the lingering trauma from some abuse administered by a relative forces him to uphold a facade of hollow jocularity since high school. The series is composed of three parts, referred to in the novel as "memorandums," which chronicle the life of Oba from his teens to late twenties. The comic is narrated by the artist, Furuya himself, making appearances at the start of each volume. In many ways, it could be said that Furuya has traveled a path that may be similar to Dazai's. Maybe that is what led these two together after 100 years.

In this first of three parts, alternative comic artist Usamaru Furuya appears to be overcome with deadlines. While he has been published by some of the biggest names in the comics industry, his star still shines brightest as a cult favorite, an underground artist whose emo comics are the voice of a new generation. To escape the duldrums of work, he loses himself in the internet and comes across the journal of a man whose life sounds very familiar--Oba Yozo. In Oba's First Memorandum the teen is overcome by an intense feeling of alienation. This pressure is so strong he cannot cope with others making it impossible to socialize with those who surround him, even his own family. To counter this Oba plays the role of the fool in order to establish interpersonal
relationships.
Product Details
Paperback (194 pages)
Published: October 25, 2011
Publisher: Vertical Inc.
Imprint: Vertical
ISBN: 9781935654193
Other books byOsamu Dazai
  • No Longer Human

    No Longer Human
    Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

    The Setting Sun

    The Setting Sun
    Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society.

    Schoolgirl

    Schoolgirl
    The novella that first propelled Dazai into the literary elite of post-war Japan. Essentially the start of Dazai's career, Schoolgirl gained notoriety for its ironic and inventive use of language. Now it illuminates the prevalent social structures of a lost time, as well as the struggle of the individual against them--a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the reader a new window into the mind of one of the greatest Japanese authors of the 20th century.

    No Longer Human, part 2

    No Longer Human, part 2
    Furuya's adaptation of No Longer Human takes place nearly seventy years after Dazai's original. Set in modern day Tokyo, Dazai's tale details the life of a young man originally from a well-off family from Japan's far north. Yozo Oba is a troubled soul incapable of revealing his true self to others. A weak constitution and the lingering trauma from some abuse administered by a relative forces him to uphold a facade of hollow jocularity since high school. The series is composed of three parts, referred to in the novel as "memorandums," which chronicle the life of Oba from his teens to late twenties. The comic is narrated by the artist, Furuya himself playing the role originally held by the author Dazai, who makes appearances at the start of each volume. In many ways, it could be said that Furuya has traveled a path that may be similar to Dazai's. Maybe that is what led these two together after 100 years. In the second volume, comic artist Usamaru Furuya has become obsessed over Oba's behavior. Noticing how tormented this young man must have been, he begins to question whether he should continue reading these memoirs. He fears he may see his own future going down the same path. But, despite his fears he reads on now smitten with Oba and the cast of fre-nemies around him. Oba's Second Memorandum focuses on his college days. Increasingly paranoid about keeping up appearances he begins to neglect his studies and his ambitions of becoming an artist are now a thing of the past. He is spending money left and right. And soon finds himself in a destructive cycle of drinking and self-loathing. Spurred on by a fellow aspiring artist, he begins to take advantage of his family spending money like water to maintain his bad habits. So when the money well dries up, he tries to escape life entirely; fearing that his family and in turn the world has abandoned him. But his charms continue to linger. From here he begins to take advantage of his unique personality to live off the one-sided love of the women around him. Whether it be the experienced bar owner or the or the single-parent comics editor, Oba's heart never truly opens up but if these women give him another chance on life, he is willing to take it as long as their own personal expectations do not overwhelm him.

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