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Longbourn

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Paperback published by Vintage (Knopf Doubleday Publishing Group)

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About This Book

Pride and Prejudice was only half the story •
 
If Elizabeth Bennet had the washing of her own petticoats, Sarah often thought, she’d most likely be a sight more careful with them.
 
In this irresistibly imagined belowstairs answer to Pride and Prejudice, the servants take center stage. Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended.

Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own. 

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Pride and Prejudice was only half the story •
 
If Elizabeth Bennet had the washing of her own petticoats, Sarah often thought, she’d most likely be a sight more careful with them.
 
In this irresistibly imagined belowstairs answer to Pride and Prejudice, the servants take center stage. Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended.

Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own. 

Product Details
Paperback (432 pages)
Published: June 17, 2014
Publisher: Knopf Doubleday Publishing Group
Imprint: Vintage
ISBN: 9780345806970
Other books byJo Baker
  • The Undertow

    The Undertow
    The American debut of an enthralling new voice: a vivid, indelibly told work of fiction that follows four generations of a family against the backdrop of a tumultuous century—a novel about inheritance, about fate and passion, and about what it means to truly break free of the past. This is the story of the Hastings family—their secrets, their loves and losses, dreams and heartbreaks—captured in a seamless series of individual moments that span the years between the First World War and the present. The novel opens in 1914 as William, a young factory worker, spends one last evening at home before his departure for the navy . . . His son, Billy, grows into a champion cyclist and will ride into the D-Day landings on a military bicycle . . . His son in turn, Will, struggles with a debilitating handicap to become an Oxford professor in the 1960s . . . And finally, young Billie Hastings makes a life for herself as an artist in contemporary London. Just as the names echo down through the family, so too does the legacy of choices made, chances lost, and truths long buried.

    The Telling

    The Telling
    Her mother recently deceased, Rachel sets off alone for her family’s isolated country house in order to pack up and sell off the remnants of her estate. She tells herself the process will only take a few weeks, but from the moment she steps through the front door, Rachel feels that the house contains more than she had expected. Along with the memories of her mother, there is something else in the house, a presence trying to make itself felt. As Rachel struggles to put her mother’s affairs in order, she grows ever more convinced that the house holds a message for her. Can the ghosts of the past be nudging their way into the present, or is Rachel really beginning to lose her mind? 

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