Other books bySteven Bach
Art, Money, and Ego in the Making of Heaven's...
Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood’s major studios—United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the only person to witness the film’s evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud.
Life and Legend
In an achievement as grand and sweeping as Dietrich's own life, Steven Bach reveals the woman and examines her myth in a biography that will stand as the ultimate authority on a singular star. Based on six years of research and hundreds of interviewsincluding conversations with Dietrich herselfthis is the last, best word on one of the century's greatest movie actresses and performers, an icon who embodied glamour and sophistication for audiences around the globe.
The Life And Times Of Moss Hart
From the Algonquin Round Table to the Gershwins and the Hollywood moguls, Moss Hart knew and delighted everybody. Vanity Fair has called him "one of American theater's greatest geniuses," the man responsible for such indelible successes as A Star Is Born, Camelot, and My Fair Lady. His rags-to-riches autobiography, Act One, became one of the most successful and beloved books ever published about the lure of the theater. But it ended at the beginningwhen Hart was only twenty-five. Now, at last, we have the whole and far richer story in this first full-scale biography of "the Prince of Broadway." Here Steven Bach explores the private Moss Hart, revealing his struggles with self-doubt, depression, and sexual identity, and the public one, recounting his creativity and charisma, his wit and grace. With thorough research and graceful prose, Steven Bach takes us on a journey to another time and place, where one man created a dazzling world for himself and for all American theatergoers.
Why the Hell Didn't You Tell Me?
The events in this book were experienced during a time of stress, heavy use of hallucinogens, head injuries, and struggle for survival. The experiences of magic, sentient weather systems, ancient star constellations, and brushes with the law, along with the navigation of the emotional chasms and heavens they evoked, were among the most memorable times of my life.