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Just Kids

By Patti Smith (Author)

Paperback published by Ecco

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Due to copyright restrictions, this eBook may not contain all of the images available in the print edition.

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous—the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

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Due to copyright restrictions, this eBook may not contain all of the images available in the print edition.

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous—the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

Product Details
Paperback (320 pages)
Published: November 2, 2010
Imprint: Ecco
ISBN: 9780060936228
Other books byPatti Smith
  • Auguries of Innocence

    Auguries of Innocence
    Poems
    Auguries of Innocence is the first book of poetry from Patti Smith in more than a decade. It marks a major accomplishment from a poet and performer who has inscribed her vision of our world in powerful anthems, ballads, and lyrics. In this intimate and searing collection of poems, Smith joins in that great tradition of troubadours, journeymen, wordsmiths, and artists who respond to the world around them in fresh and original language. Her influences are eclectic and striking: Blake, Rimbaud, Picasso, Arbus, and Johnny Appleseed. Smith is an American original; her poems are oracles for our times.

    The Coral Sea

    The Coral Sea
    Through the linked pieces of The Coral Sea, Patti Smith honors her comrade-in-arms Robert Mapplethorpe (1946-1989). She tells the story of a man on an ocean journey to see the Southern Cross, who is reflecting on his life and fighting the illness that is consuming him. Metaphoric and dreamy, this tale of transformation arises from Smith's knowledge of Mapplethorpe from a young man to a mature artist; his close relationship with patron and friend, Sam Wagstaff; his years surviving AIDS; and his ascent into death. The Coral Sea is Smith's lyrically compelling recasting of her grief to recapture Mapplethorpe's life in the past and his future in his art. Rich in evocative details, it shows the man beneath the persona. This edition features a new introduction and new material by Smith.

    Early Work

    Early Work
    1970-1979
    Collected here are selections from Patti Smith's writings over the decade in which she made a lasting impact on America's underground literary and rock scene. Smith's work evokes the experimentation and the desire to break boundaries of those pre-punk days. Over one-quarter of the works selected are unpublished pieces from journals, performances, and Smith's personal papers. Heavily illustrated with photographs by Judy Linn, Robert Mapplethorpe, Edward Maxey, and others, Early Work brings together all sides of Patti Smith, from the thoughtful intellectual to the explosive performer.

    Just Kids CD

    Just Kids CD
    Just Kids CD
    Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists’ ascent, a prelude to fame.

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  • Posted Just Now

     

  • August 29, 2011
    via Publishers Weekly

    In her music, Patti Smith transformed rock 'n' roll into a kind of electric poetry, spoken word energized by the jolt and rumble of guitars and drums. It should be no surprise, then, that in narrating her memoir of her intimate friendship with the photographer Robert Mapplethorpe, she turns in a performance that approaches art. Words bob and weave as if set to music, and Smith transforms her prose into a series of entrancing sounds-as interesting for their rhythms as their meaning. Using shifts in cadence and pregnant pauses, she allows silence to convey as much as words. Even phrases that clanged on the page sound perfect when Smith reads them herself. She writes of her youth and young womanhood, and something of those long-gone days emerges in the tone of her voice. The listener can hear traces of Smith's New Jersey roots in her occasionally dropped r's and long, flat vowels. An Ecco paperback. (July) (c) Copyright PWxyz, LLC. All rights reserved.

    Show less

    In her music, Patti Smith transformed rock 'n' roll into a kind of electric poetry, spoken word energized by the jolt and rumble of guitars and drums. It should be no surprise, then, that in narrating her memoir of her intimate friendship with the photographer Robert Mapplethorpe, she turns in a performance that approaches art. Words bob and weave as if set to music, and Smith transforms her prose into a series of entrancing sounds-as interesting for their rhythms as their meaning. Using shifts in cadence and pregnant pauses, she allows silence to convey as much as words. Even phrases that clanged on the page sound perfect when Smith reads them herself. She writes of her youth and young womanhood, and something of those long-gone days emerges in the tone of her voice. The listener can hear traces of Smith's New Jersey roots in her occasionally dropped r's and long, flat vowels. An Ecco paperback. (July) (c) Copyright PWxyz, LLC. All rights reserved.


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  • December 07, 2009
    via Publishers Weekly

    In 1967, 21-year-old singer-song writer Smith, determined to make art her life and dissatisfied with the lack of opportunities in Philadelphia to live this life, left her family behind for a new life in Brooklyn. When she discovered that the friends with whom she was to have lived had moved, she soon found herself homeless, jobless, and hungry. Through a series of events, she met a young man named Robert Mapplethorpe who changed her life-and in her typically lyrical and poignant manner Smith describes the start of a romance and lifelong friendship with this man: "It was the summer Coltrane died. Flower children raised their arms... and Jimi Hendrix set his guitar in flames in Monterey. It was the summer of Elvira Madigan, and the summer of love...." This beautifully crafted love letter to her friend (who died in 1989) functions as a memento mori of a relationship fueled by a passion for art and writing. Smith transports readers to what seemed like halcyon days for art and artists in New York as she shares tales of the denizens of Max's Kansas City, the Hotel Chelsea, Scribner's, Brentano's, and Strand bookstores. In the lobby of the Chelsea, where she and Mapplethorpe lived for many years, she got to know William Burroughs, Allen Ginsberg, Jimi Hendrix, Janis Joplin, and Johnny Winter. Most affecting in this tender and tough memoir, however, is her deep love for Mapplethorpe and her abiding belief in his genius. Smith's elegant eulogy helps to explain the chaos and the creativity so embedded in that earlier time and in Mapplethorpe's life and work. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved

    Show less

    In 1967, 21-year-old singer-song writer Smith, determined to make art her life and dissatisfied with the lack of opportunities in Philadelphia to live this life, left her family behind for a new life in Brooklyn. When she discovered that the friends with whom she was to have lived had moved, she soon found herself homeless, jobless, and hungry. Through a series of events, she met a young man named Robert Mapplethorpe who changed her life-and in her typically lyrical and poignant manner Smith describes the start of a romance and lifelong friendship with this man: "It was the summer Coltrane died. Flower children raised their arms... and Jimi Hendrix set his guitar in flames in Monterey. It was the summer of Elvira Madigan, and the summer of love...." This beautifully crafted love letter to her friend (who died in 1989) functions as a memento mori of a relationship fueled by a passion for art and writing. Smith transports readers to what seemed like halcyon days for art and artists in New York as she shares tales of the denizens of Max's Kansas City, the Hotel Chelsea, Scribner's, Brentano's, and Strand bookstores. In the lobby of the Chelsea, where she and Mapplethorpe lived for many years, she got to know William Burroughs, Allen Ginsberg, Jimi Hendrix, Janis Joplin, and Johnny Winter. Most affecting in this tender and tough memoir, however, is her deep love for Mapplethorpe and her abiding belief in his genius. Smith's elegant eulogy helps to explain the chaos and the creativity so embedded in that earlier time and in Mapplethorpe's life and work. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved


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