Inspirational throughout, when they talk about art and writing and all the various philosophies of writing, publishing, etc. It was really fascinating to see the behind the scenes between these great minds, and what they thought about everyone else within their immediate sphere and the related gossip/slander/true opinions. William Gaddis is even mentioned at one point, but just for a sentence, as he used to hang out with them, but wasn't one of them. There are somewhat heavy criticisms of Mailer and Baldwin, but otherwise, it's a "fuck you, Jean," [to Kerouac], "I love you" thing. The most mundane parts were the dealings with the publishing houses and editors, etc., and how long it took them to publish masterpieces that they had worked on and finished a long time before.
Show lessInspirational throughout, when they talk about art and writing and all the various philosophies of writing, publishing, etc. It was really fascinating to see the behind the scenes between these great minds, and what they thought about everyone else within their immediate sphere and the related gossip/slander/true opinions. William Gaddis is even mentioned at one point, but just for a sentence, as he used to hang out with them, but wasn't one of them. There are somewhat heavy criticisms of Mailer and Baldwin, but otherwise, it's a "fuck you, Jean," [to Kerouac], "I love you" thing. The most mundane parts were the dealings with the publishing houses and editors, etc., and how long it took them to publish masterpieces that they had worked on and finished a long time before.
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At times loving, at others blistering, sarcastic, often uncomfortably self-lacerating and intimate, these 200 letters, collected in a heroic editorial effort by Ginsberg biographer Morgan and independent editor Stanford, cover the years 1944-1963, the most fertile in the creative lives of Kerouac and Ginsberg. A disbelieving Ginsberg writes to Kerouac in 1952 that On the Road is unpublishable, while Kerouac asks Ginsberg to treat his magnum opus as the next Ulysses. Kerouac immediately praises Howl in 1955, and in return Ginsberg gives Kerouac the manuscript while recounting, like any hopeful author, how freebies have gone to Eliot, Pound, Faulkner. Throughout, the sometimes sporadic letter writing is filled with fragments of works in progress and pungent observations on the authors and publishing people who influenced them, from Dante and Gide to Malcolm Cowley and Sterling Lord. There also is plenty of gossip about Peter Orlovsky, William Burroughs, and others in the circle. A growing rift concludes the 1950s, as literary fame mixed with alcohol weighs on Kerouac, though these soul brothers reunite through letters of the early 1960s. On receiving Ginsberg's work, Thelonius Monk exclaimed, "It makes sense." In its strange way, so does this intense and offbeat correspondence. (July 12) (c) Copyright PWxyz, LLC. All rights reserved
Show lessAt times loving, at others blistering, sarcastic, often uncomfortably self-lacerating and intimate, these 200 letters, collected in a heroic editorial effort by Ginsberg biographer Morgan and independent editor Stanford, cover the years 1944-1963, the most fertile in the creative lives of Kerouac and Ginsberg. A disbelieving Ginsberg writes to Kerouac in 1952 that On the Road is unpublishable, while Kerouac asks Ginsberg to treat his magnum opus as the next Ulysses. Kerouac immediately praises Howl in 1955, and in return Ginsberg gives Kerouac the manuscript while recounting, like any hopeful author, how freebies have gone to Eliot, Pound, Faulkner. Throughout, the sometimes sporadic letter writing is filled with fragments of works in progress and pungent observations on the authors and publishing people who influenced them, from Dante and Gide to Malcolm Cowley and Sterling Lord. There also is plenty of gossip about Peter Orlovsky, William Burroughs, and others in the circle. A growing rift concludes the 1950s, as literary fame mixed with alcohol weighs on Kerouac, though these soul brothers reunite through letters of the early 1960s. On receiving Ginsberg's work, Thelonius Monk exclaimed, "It makes sense." In its strange way, so does this intense and offbeat correspondence. (July 12) (c) Copyright PWxyz, LLC. All rights reserved
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