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Ghosts

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Paperback published by Vintage (Knopf Doubleday Publishing Group)

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About This Book
In this brilliantly haunting new novel, John Banville forges an unforgettable amalgam of enchantment and menace that suggests both The Tempest and his own acclaimed The Book of Evidence. "A surreal and exquisitely lyrical new novel by one of the great stylists writing in English today."--Boston Globe.
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In this brilliantly haunting new novel, John Banville forges an unforgettable amalgam of enchantment and menace that suggests both The Tempest and his own acclaimed The Book of Evidence. "A surreal and exquisitely lyrical new novel by one of the great stylists writing in English today."--Boston Globe.
Product Details
Paperback (256 pages)
Published: November 8, 1994
Publisher: Knopf Doubleday Publishing Group
Imprint: Vintage
ISBN: 9780679755128
Other books byJohn Banville
  • The Sea

    The Sea
    In this luminous new novel about love, loss, and the unpredictable power of memory, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness of both love and death for the first time. What Max comes to understand about the past, and about its indelible effects on him, is at the center of this elegiac, gorgeously written novel — among the finest we have had from this masterful writer.

    The Infinities

    The Infinities
    On a languid midsummer’s day in the countryside, the Godley family gathers at the bedside of Adam, a renowned mathematician and their patriarch. But they are not alone in their vigil. Around them hovers a clan of mischievous immortals—Zeus, Pan, and Hermes among them —who begin to stir up trouble for the Godleys, to sometimes wildly unintended effect. The Infinities—John Banville’s first novel since his Booker Prize-winning and bestselling The Sea—is at once a gloriously earthy romp and a wise look at the terrible, wonderful plight of being human.

    The Mourner

    The Mourner
    You probably haven’t ever noticed them. But they’ve noticed you. They noticeeverything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack. They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after. Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir.  Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing; his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to. This season’s offerings include volumes 4–6 in the series:The Mourner,The Score, andThe Jugger. The Mourneris a story of convergence—of cultures and of guys with guns. Hot on the trail of a statue stolen from a fifteenth-century French tomb, Parker enters a world of eccentric art collectors, greedy foreign officials, and shady KGB agents. Next, Parker works with a group of professional con men inThe Scoreon his biggest job yet—robbing an entire town in North Dakota. InThe Jugger, Parker travels to Nebraska to help out a geriatric safecracker who knows too many of his criminal secrets. By the time he arrives, the safecracker is dead and Parker’s skeletons are on the verge of escaping from their closet—unless Parker resorts to lethal measures.   “Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”—Elmore Leonard   “Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—WashingtonPost Book World   “Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself aboutWar and Peaceand Proust—these are the books you’ll want on that desert island.”—Lawrence Block    

    The Score

    The Score
    You probably haven’t ever noticed them. But they’ve noticed you. They noticeeverything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack. They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after. Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir.  Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing; his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to. Parker works with a group of professional con men inThe Scoreon his biggest job yet—robbing an entire town in North Dakota. “Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”—Elmore Leonard “Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—WashingtonPost Book World “Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself aboutWar and Peaceand Proust—these are the books you’ll want on that desert island.”—Lawrence Block

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