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Frankenstein

The Graphic Novel

By , (Illustrator), Lloyd S. Wagner (Adaptor)

Paperback published by Campfire (Steerforth Press)

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About This Book
The idea for the story came to the author, Mary Shelley, in a dream she had about a scientist who had created life and was horrified by what he had made. This Gothic-style romance is among the first of true science fiction novels, if not the first. A young scientist named Victor Frankenstein, after going through his own near-death experience, decides to play God and create life in the form of a grotesque creature, which turns into a nightmare. Through his experience, he learns that the gift of life is precious, not disposable. His journey and personal transformation has deeply affected readers.

Frankenstein is a must-read for any lover of classic literature and science fiction.

About the Word Cloud Classics series:
Classic works of literature with a clean, modern aesthetic! Perfect for both old and new literature fans, the Word Cloud Classics series from Canterbury Classics provides a chic and inexpensive introduction to timeless tales. With a higher production value, including heat burnished covers and foil stamping, these eye-catching, easy-to-hold editions are the perfect gift for students and fans of literature everywhere.
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The idea for the story came to the author, Mary Shelley, in a dream she had about a scientist who had created life and was horrified by what he had made. This Gothic-style romance is among the first of true science fiction novels, if not the first. A young scientist named Victor Frankenstein, after going through his own near-death experience, decides to play God and create life in the form of a grotesque creature, which turns into a nightmare. Through his experience, he learns that the gift of life is precious, not disposable. His journey and personal transformation has deeply affected readers.

Frankenstein is a must-read for any lover of classic literature and science fiction.

About the Word Cloud Classics series:
Classic works of literature with a clean, modern aesthetic! Perfect for both old and new literature fans, the Word Cloud Classics series from Canterbury Classics provides a chic and inexpensive introduction to timeless tales. With a higher production value, including heat burnished covers and foil stamping, these eye-catching, easy-to-hold editions are the perfect gift for students and fans of literature everywhere.
Product Details
Paperback (72 pages)
Published: July 27, 2010
Publisher: Steerforth Press
Imprint: Campfire
ISBN: 9789380028248
Other books byMary Shelley
  • Frankenstein

    Frankenstein
    Or, The Modern Prometheus
    At the age of eighteen, Mary Shelley, while staying in the Swiss Alps with her lover Percy Shelley, Lord Byron, and others, conceived the tale of Dr. Victor Frankenstein and the monster he brings to life. The resulting book, Frankenstein; or, The Modern Prometheus, is a dark parable warning against the risks of scientific and creative endeavor, the corrupting influence of technology and progress, and the dangers of knowledge without understanding. Frankenstein was an instant bestseller on publication in 1818 and has long been regarded as a masterpiece of suspense, a classic of nineteenth-century Romanticism and Gothic horror, and the prototype of the science fiction novel. Though it has spawned countless imitations and adaptations, it remains the most powerful story of its kind.

    Mathilda

    Mathilda
    But my father, my beloved and most wretched father... Would he never overcome the fierce passion that now held pitiless dominion over him? With its shocking theme of father-daughter incest, Mary Shelley’s publisher—her father, known for his own subversive books—not only refused to publish Mathilda, he refused to return her only copy of the manuscript, and the work was never published in her lifetime. His suppression of this passionate novella is perhaps understandable—unlike her first book, Frankenstein, written a year earlier, Mathilda uses fantasy to study a far more personal reality. It tells the story of a young woman whose mother died in her childbirth—just as Shelly’s own mother died after hers—and whose relationship with her bereaved father becomes sexually charged as he conflates her with his lost wife, while she becomes involved with a handsome poet. Yet despite characters clearly based on herself, her father, and her husband, the narrator’s emotional and relentlessly self-examining voice lifts the story beyond autobiographical resonance into something more transcendent: a driven tale of a brave woman’s search for love, atonement, and redemption. It took more than a century before the manuscript Mary Shelley gave her father was rediscovered. It is published here as a stand-alone volume for the first time. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Frankenstein; Dracula; Dr Jekyll and Mr Hyde

    Frankenstein; Dracula; Dr Jekyll and Mr Hyde
    Three horror classics—with an introduction by Stephen King Some of literature’s most popular and enduring horror icons in one indispensable tome. @NotoriousDOC Just did a bit-torrent-style grave robbery. My new ‘man’ will be an artful collage. Also, good conversation starter. It’s alive! I’d better beat it over the head repeatedly with a fire extinguisher. So sometimes you build something, and it gets away. They’re gonna can me at the university if they find out about this. From Twitterature: The World's Greatest Books in Twenty Tweets or Less

    The Original Frankenstein

    The Original Frankenstein
    Working from the earliest surviving draft of Frankenstein, Charles E. Robinson presents two versions of the classic novel—as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley’s amendments and contributions. For the first time we can hear Mary’s sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley’s contribution—some 5,000 words out of 72,000—and his stylistic and thematic changes. His occassionally florid prose is in marked contrast to the directness of Mary’s writing. Interesting, too, are Percy’s suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature’s greatest works.

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