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Collected Poems, 1953-1993

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eBook published by Knopf (Knopf Doubleday Publishing Group)

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About This Book
“The idea of verse, of poetry, has always, during forty years spent working primarily in prose, stood at my elbow, as a standing invitation to the highest kind of verbal exercise—the most satisfying, the most archaic, the most elusive of critical control.  In hotel rooms and airplanes, on beaches and Sundays, at junctures of personal happiness or its opposite, poetry has comforted me with its hope of permanence, its packaging of flux.”
                Thus John Updike writes in introducing his Collected Poems.  The earliest poems here date from 1953, when Updike was twenty-one, and the last were written after he turned sixty.  Almost all of those published in his five previous collections are included, with some revisions.  Arranged in chronological order, the poems constitute, as he says, “the thread backside of my life’s fading tapestry.”  An ample set of notes at the back of the book discusses some of the hidden threads, and expatiates upon a number of fine points.
                Nature—tenderly intricate, ruthlessly impervious—is a constant and ambiguous presence in these poems, along with the social observation one would expect in a novelist.  No occasion is too modest or too daily to excite metaphysical wonder, or to provoke a lyrical ingenuity of language.  Yet even the wittiest of the poems are rooted to the ground of experience and fact.  “Seven Odes to Seven Natural Processes” attempt to explicate the physical world with a directness seldom attempted in poetry.  Several longer poems—“Leaving Church Early,” “Midpoint”—use autobiography to proclaim the basic strangeness of existence.
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“The idea of verse, of poetry, has always, during forty years spent working primarily in prose, stood at my elbow, as a standing invitation to the highest kind of verbal exercise—the most satisfying, the most archaic, the most elusive of critical control.  In hotel rooms and airplanes, on beaches and Sundays, at junctures of personal happiness or its opposite, poetry has comforted me with its hope of permanence, its packaging of flux.”
                Thus John Updike writes in introducing his Collected Poems.  The earliest poems here date from 1953, when Updike was twenty-one, and the last were written after he turned sixty.  Almost all of those published in his five previous collections are included, with some revisions.  Arranged in chronological order, the poems constitute, as he says, “the thread backside of my life’s fading tapestry.”  An ample set of notes at the back of the book discusses some of the hidden threads, and expatiates upon a number of fine points.
                Nature—tenderly intricate, ruthlessly impervious—is a constant and ambiguous presence in these poems, along with the social observation one would expect in a novelist.  No occasion is too modest or too daily to excite metaphysical wonder, or to provoke a lyrical ingenuity of language.  Yet even the wittiest of the poems are rooted to the ground of experience and fact.  “Seven Odes to Seven Natural Processes” attempt to explicate the physical world with a directness seldom attempted in poetry.  Several longer poems—“Leaving Church Early,” “Midpoint”—use autobiography to proclaim the basic strangeness of existence.
Product Details
eBook (416 pages)
Published: April 25, 2012
Publisher: Knopf Doubleday Publishing Group
Imprint: Knopf
ISBN: 9780307961976
Other books byJohn Updike
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    Terrorist
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    The terrorist of John Updike’s title is eighteen-year-old Ahmad Ashmawy Mulloy, the son of an Irish American mother and an Egyptian father who disappeared when he was three. Devoted to Allah and to the Qur’an as expounded by the imam of his neighborhood mosque, Ahmad feels his faith threatened by the materialistic, hedonistic society he sees around him in the slumping New Jersey factory town of New Prospect. Neither Jack Levy, his life-weary guidance counselor at Central High, nor Joryleen Grant, his seductive black classmate, succeeds in diverting Ahmad from what the Qur’an calls the Straight Path. Now driving a truck for a local Lebanese furniture store—a job arranged through his imam—Ahmad thinks he has discovered God’s purpose for him. But to quote the Qur’an: Of those who plot, God is the best.

    Rabbit, Run

    Rabbit, Run
    Rabbit, Run is the book that established John Updike as one of the major American novelists of his—or any other—generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

    Rabbit Redux

    Rabbit Redux
    In this sequel to Rabbit, Run, John Updike resumes the spiritual quest of his anxious Everyman, Harry “Rabbit” Angstrom. Ten years have passed; the impulsive former athlete has become a paunchy thirty-six-year-old conservative, and Eisenhower’s becalmed America has become 1969’s lurid turmoil of technology, fantasy, drugs, and violence. Rabbit is abandoned by his family, his home invaded by a runaway and a radical, his past reduced to a ruined inner landscape; still he clings to semblances of decency and responsibility, and yearns to belong and to believe.

    The Witches of Eastwick

    The Witches of Eastwick
    Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play. Thenceforth scandal flits through the darkening, crooked streets of Eastwick—and through the even darker fantasies of the town’s collective psyche. From the Trade Paperback edition.

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